Filomena, in Italian amante del canto (she who loves song) or colei che è amata (she who is loved) is said to represent courage. The group of ten Florentine youths, known as the Brigata, consists of seven women and three men, each of whom has an allegorical role: Pampinea, Filomena, Neifile, Filostrato, Fiammetta, Elissa, Dioneo, Lauretta, Emilia and Panfilo. Panfilo would then play the role of reason. Panfilo de Tutto Amore (in love with everything) repeatedly tries to delve deeper into the content of the stories and thus seems to support the opinion of Boccaccio himself, who stated in his prologue that he wanted to give "useful advice". Boccaccio describes the life of the rich who try to isolate themselves from the plague, and who want to live their ordinary life even though it was destined to be cut short by the inevitable disease. The author writes in the introduction that he withholds the true names of the members of the Brigata, because he does not want them to be ashamed in the future about the stories that will be told in the book. Pampinea, at 27 the oldest member of the brigata and the one who initiated the flight, was called in Italian la rigogliosa or the opulent; she should represent wisdom.
Neifile, the nuova amante (she who has just fallen in love) symbolizes respect for authority in the story. Coincidentally, just at that moment three young men enter the church looking for their ladies who are among the seven young ladies. After that, the duties of the staff are arranged and the youngsters go out into the gardens until it is time for dinner. In this way, the Decameron sketches a picture of Boccaccio's time, in which the contrast between the courtly world of the languishing aristocracy with its knightly ideals and the world of the emerging vital bourgeoisie is strikingly illustrated. These can, so to speak, be on the sidelines (with the chalk on the shoes) but also much more towards the middle. The author presents his stories, told by a "dignified" group of seven women and three men, with the intention of entertaining and instructing these love-derived women. This madness is mocked and often the story ends dramatically for one of the lovers.
For Boccaccio, love is the most special force of nature, which man cannot suppress and which brings joy and pleasure as well as pain. By the way, don't automatically assume that everyone in Barcelona and Madrid speaks English, because that is certainly not always the case for both cities! According to various researchers, Fiammetta stands for Maria d'Aquino, an illegitimate daughter of Robert of Naples, the woman Boccaccio was in love with. According to Boccaccio, life is governed by two forces: nature and fate or fortune, often represented as the blindfolded Lady Fortuna. Man gets from nature his endowments, instincts, intelligence, lineage and social rank, and Lady Fortuna creates the conditions, favorable or unfavorable, of the external world in which he lives, and it is the combination of both forces that determines the life of the man determines. In the introduction to the second novella of the sixth day, Boccaccio elaborates on this, calling nature and fortune the two rulers of the world.
It also recurs in other works by Boccaccio, namely in his Filocolo and L'eligia di Madonna Fiammetta. Boccaccio begins his frame story with a description of the plague epidemic that hit Florence in 1348. Subsequently, he tells how the seven ladies meet by chance one morning in the Basilica di Santa Maria Novella and how Pampinea makes a plea to leave Florence together. The work tells the story of ten young people of the upper social class who flee Florence during the plague epidemic of 1348 and retire to a villa in the hills outside Fiesole. Marcus Manlius Capitolinus was born in 385 BC. arrested and tried, but out of shame the trial was moved outside the city and out of sight of the Capitol, ac milan kit which his heroism had saved. The ten young people who flee Florence in the Decameron are among the crowd of citizens who leave their homes in the city and go to the countryside or abroad. In addition to the prologue and epilogue, the work consists of ten days, each of which begins with a short description of what the young people do for the storytelling session, followed by the ten stories of the day and the day is concluded with the appointment of the new administrator for the next day and capturing the next theme.
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